Dr Paul Allen

English: Moses striking the rock (Photo credit: Wikipedia ) Timed for a Christmas season release, director Ridley Scott ’s intended blockbuster, Exodus : Gods and Kings hit the big screens this past weekend. On its opening weekend the movie shot to the top of the box office charts, displacing the latest Hunger Games movie, but falling considerably short of expected receipts. The best single line analysis of the movie and its failure to garner either critical acclaim or more viewers was offered by Eric D. Snider of Geek Nation: “This big dud isn’t blasphemous enough to be outrageous, emotional enough to be inspiring, or interesting enough to be good.” Well, I partly agree with the first two points of criticism, but I did find the movie interesting. Indeed, I even liked much of the movie, and I would not argue that mature and thoughtful Christians should not see it, even if the concerns about it are major. And make no mistake, the concerns are major. Earlier this year, director Dar

My first experience teaching the Bible came when I was asked at the last minute to teach a Sunday School class of first-grade boys. I was only 16 years old, and I did not exactly volunteer to teach the class. I found myself telling a familiar Bible story to six-year olds and explaining it as best I could. There have been very few Sundays since when I have not taught or preached, usually to a congregation a bit less fidgety than my first. You learn one thing fast when teaching the Bible to six-year-old boys — they often think they can “improve” on the story as found in the Bible. First-grade boys are big on special effects, blowing away bad guys, exploding just about anything, and what we might gently call “narrative overkill.” That helps me to understand director Darren Aronofsky and his new film,  Noah . Aronofsky and his co-writer Ari Handel started with the Old Testament narrative about Noah, just about 2,400 words in English translation, and exploded it into a huge Hollywood