Batman and our desire for a new universe
The definite article (“the”) is a bold choice for the title of Matt Reeves’s new film about Gotham’s fabled caped crusader. A more appropriate title for The Batman would perhaps be A Batman because this latest reboot of the lucrative franchise is just one of many iterations of the comic book world. To declare Robert Pattinson’s version the Batman is to boldly go all-in on this rendering of the familiar story, pitting it against other renderings—Christopher Nolan’s so-serious Dark Knight trilogy (2005–2012), Tim Burton’s and Joel Schumacher’s campy versions in the 80s and 90s, and Ben Affleck’s Batman in the DC Extended Universe films (2016–2021)—to vie for supremacy in cinema lore. Yet this boldness is what I loved most about The Batman. By going all-in on reenvisioning the world of Gotham—and its many colorful characters, textures, and subplots—Reeves captures why franchise reboots are attractive. Even if our memories of previous Gothams are still fresh, there are something captivatin