Dr Paul Allen

English: Moses striking the rock (Photo credit: Wikipedia ) Timed for a Christmas season release, director Ridley Scott ’s intended blockbuster, Exodus : Gods and Kings hit the big screens this past weekend. On its opening weekend the movie shot to the top of the box office charts, displacing the latest Hunger Games movie, but falling considerably short of expected receipts. The best single line analysis of the movie and its failure to garner either critical acclaim or more viewers was offered by Eric D. Snider of Geek Nation: “This big dud isn’t blasphemous enough to be outrageous, emotional enough to be inspiring, or interesting enough to be good.” Well, I partly agree with the first two points of criticism, but I did find the movie interesting. Indeed, I even liked much of the movie, and I would not argue that mature and thoughtful Christians should not see it, even if the concerns about it are major. And make no mistake, the concerns are major. Earlier this year, director Dar

Exodus : Gods and Kings  is a disaster of biblical proportions. Critics who have praised the film's lavish visual style are grasping at the only thing in the movie that works. Is  Exodus  riddled with biblical inaccuracies? Yes. But a Bible epic designed to appeal to the Richard Dawkins/new atheist crowd might find an audience. (Some people can rally around a film that has nothing for everyone.) But as a Christmas gift to moviegoers everywhere, let's look at three parts of the film that should keep any reasonable person away. BatMoses Despite his beard, Christian Bale is still locked into his Batman role. His armor is black. His horses are black. He is the consummate hand-to-hand warrior. And, often, his menacing presence is enough to get local bad guys to back off. Unfortunately, Moses can't always be in battle. When he is in the court of Pharaoh , Bale seems lost. An interrogation scene in which Pharaoh attempts to discover the truth about Moses' family origins