Dr Paul Allen

The “Christian villain” trope is nothing new in Hollywood. From sociopathic Christian killers (The Night of the Hunter, Se7en) to prudish, sexually repressed fundamentalists (Footloose, Carrie, The Virgin Suicides) to blood-sucking vampire priests (Midnight Mass), vengeful church ladies (Mrs. Carmody in The Mist), and Bible-toting tyrants (Warden Norton in The Shawshank Redemption), loathsome Christian baddies are everywhere in Hollywood and have been for some time. We can understandably feel defensive about how Hollywood depicts Christians (heavily weighted toward the negative). But rather than simply shouting “Unfair stereotype!” we ought to consider the nature of the critiques. How are Hollywood’s narratives expressing the larger culture’s angst and grievances about Christianity? What might we learn from this about the obstacles we face in evangelism and apologetics? To that end, let’s look at three 2022 films—The Whale, The Wonder, and Women Talking—that wrestle with faith and depi

Writing on the state of Western civilization a little more than a decade ago, English journalist Melanie Phillips observed, “Society seems to be in the grip of a mass derangement.” There’s a “sense that the world has slipped off the axis of reason,” causing many to wonder, “How is anyone to work out who is right in such a babble of ‘experts’ and with so much conflicting information?” As I reread this book recently, I was struck by what’s missing. Phillips writes as an agnostic but observant Jew, and many of her points are profoundly helpful. Noticeably absent from her analysis, though, is any biblical recognition of how the world could’ve gone so haywire (à la Gen. 3)—in the realm of human sexuality. The subject of sexuality, as described and prescribed by Scripture, is not just difficult—to address. It is also unpopular and, in large measure, offensive. I come to it with caution and, I hope, with a measure of compassion, but also with the conviction that God’s Word and way are absolut